Example: <sp> (speech)

These search results reproduce every example of the use of <sp> in the Guidelines, including all localised and translated versions. In some cases, the examples have been drawn from discussion of other elements in the Guidelines and illustrating the use of <sp> is not the main focus of the passage in question. In other cases, examples may be direct translations of each other, and hence identical from the perspective of their encoding.

3 Elements Available in All TEI Documents

3.13.1 Core Tags for Verse

<sp>
 <speaker>First Voice</speaker>
 <lg type="stanza" part="I">
  <l>But why drives on that ship so fast</l>
  <l>Withouten wave or wind?</l>
 </lg>
</sp>
<sp>
 <speaker>Second Voice</speaker>
 <lg type="stanza" part="F">
  <l>The air is cut away before,</l>
  <l>And closes from behind.</l>
 </lg>
</sp>
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3.13.2 Core Tags for Drama

<div2 n="I.2" type="scene">
 <head>Scene 2.</head>
 <stage type="setting">Peachum, Filch.</stage>
 <sp>
  <speaker>FILCH.</speaker>
  <p>Sir, Black Moll hath sent word her Trial comes on in
     the Afternoon, and she hopes you will order Matters
     so as to bring her off.</p>
 </sp>
 <sp>
  <speaker>PEACHUM.</speaker>
  <p>Why, she may plead her Belly at worst; to my
     Knowledge she hath taken care of that Security.
     But, as the Wench is very active and industrious,
     you may satisfy her that I'll soften the Evidence.</p>
 </sp>
 <sp>
  <speaker>FILCH.</speaker>
  <p>Tom Gagg, sir, is found guilty.</p>
 </sp>
</div2>
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3.13.2 Core Tags for Drama

<div1 n="I" type="Act">
 <head>ACT I</head>
 <div2 n="1" type="Scene">
  <head>SCENE I</head>
  <stage rend="italic">Enter Barnardo and Francisco,
     two Sentinels, at several doors</stage>
  <sp>
   <speaker>Barn</speaker>
   <l part="Y">Who's there?</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>Nay, answer me. Stand and unfold yourself.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="I">Long live the King!</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l part="M">Barnardo?</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l part="F">He.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>You come most carefully upon your hour.</l>
  </sp>
  <sp>
   <speaker>Barn</speaker>
   <l>'Tis now struck twelve. Get thee to bed, Francisco.</l>
  </sp>
  <sp>
   <speaker>Fran</speaker>
   <l>For this relief much thanks. 'Tis bitter cold,</l>
   <l part="I">And I am sick at heart.</l>
  </sp>
 </div2>
</div1>
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3.13.2 Core Tags for Drama

<stage>Enter two Centinels.
<add place="margin">Now call'd <name xml:id="barnardo">Bernardo</name> &amp;
 <name xml:id="francisco">Francesco</name>.</add>
</stage>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l part="Y">Stand: who is that?</l>
</sp>
<sp who="#barnardo">
 <speaker>2.</speaker>
 <l part="Y">Tis I.</l>
</sp>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l>O you come most carefully vpon your watch,</l>
</sp>
<sp who="#barnardo">
 <speaker>2.</speaker>
 <l>And if you meete Marcellus and Horatio,</l>
 <l>The partners of my watch, bid them make haste.</l>
</sp>
<sp who="#francisco">
 <speaker>1.</speaker>
 <l part="Y">I will: See who goes there.</l>
</sp>
<stage>Enter Horatio and Marcellus.</stage>
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3.13.2 Core Tags for Drama

<div1 n="I" type="act">
 <div2 n="1" type="scene">
  <head rend="italic">Actus primus, Scena prima.</head>
  <stage rend="italic" type="setting">A tempestuous
     noise of Thunder and Lightning heard: Enter
     a Ship-master, and a Boteswaine.</stage>
  <sp>
   <speaker>Master.</speaker>
   <p>Bote-swaine.</p>
  </sp>
  <sp>
   <speaker>Botes.</speaker>
   <p>Heere Master: What cheere?</p>
  </sp>
  <sp>
   <speaker>Mast.</speaker>
   <p>Good: Speake to th' Mariners: fall
       too't, yarely, or we run our selues a ground,
       bestirre, bestirre. <stage type="move">Exit.</stage>
   </p>
  </sp>
  <stage type="move">Enter Mariners.</stage>
  <sp>
   <speaker>Botes.</speaker>
   <p>Heigh my hearts, cheerely, cheerely my harts: yare,
       yare: Take in the toppe-sale: Tend to th' Masters whistle:
       Blow till thou burst thy winde, if roome e-nough.</p>
  </sp>
 </div2>
</div1>
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3.13.2 Core Tags for Drama

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him.
   In the first place ...</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the
   hour: but for the present I will forbear ...</p>
</sp>
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3.13.2 Core Tags for Drama

<sp>
 <speaker>Lord Curryfin</speaker>
 <stage>(after a pause).</stage>
 <p>
  <q>Mass</q> as the second grave-digger says
   in <title>Hamlet</title>, <q>I cannot tell.</q>
 </p>
</sp>
<p>A chorus of laughter dissolved the sitting.</p>
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<sp>

<sp>
 <speaker>The reverend Doctor Opimian</speaker>
 <p>I do not think I have named a single unpresentable fish.</p>
</sp>
<sp>
 <speaker>Mr Gryll</speaker>
 <p>Bream, Doctor: there is not much to be said for bream.</p>
</sp>
<sp>
 <speaker>The Reverend Doctor Opimian</speaker>
 <p>On the contrary, sir, I think there is much to be said for him. In the first place [...]</p>
 <p>Fish, Miss Gryll — I could discourse to you on fish by the hour: but for the present I
   will forbear [...]</p>
</sp>
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<sp> (fr)

<sp>
 <speaker> Valère.</speaker>
 <p>Hé bien ! Sabine, quel conseil me donneras-tu ?</p>
</sp>
<sp>
 <speaker> Sabine.</speaker>
 <p>Vraiment, il y a bien des nouvelles. Mon oncle veut résolûment que ma cousine épouse
   Villebrequin, et les affaires sont tellement avancées, que je crois qu'ils eussent été
   mariés dès aujourd'hui, si vous n'étiez aimé ... Le bonhomme ne manquera pas
   de faire loger ma cousine à ce pavillon qui est au bout de notre jardin, et par ce moyen
   vous pourriez l'entretenir à l'insu de notre vieillard, l'épouser, et le laisser pester
   tout son soûl avec Villebrequin.</p>
</sp>
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<sp> (zh-TW)

<sp>
 <speaker>祝英台</speaker>
 <p>我就是英台。三年前我想出外求學，故而改扮男裝，不期与梁兄相遇，三載同窗多蒙照顧，英台感激不盡。</p>
</sp>
<sp>
 <speaker>梁山伯</speaker>
 <p>賢弟，哦，念書的時候，咱們是兄弟相稱，如今你這樣的打扮，我該稱你賢弟呢，還是…… </p>
</sp>
<sp>
 <speaker>祝英台</speaker>
 <p>讀書時節我是女扮男裝，理該兄弟相稱，如今不妨改稱兄妹。</p>
</sp>
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<speaker>

<sp who="#ni #rsa">
 <speaker>Nancy and Robert</speaker>
 <stage type="delivery">(speaking simultaneously)</stage>
 <p>The future? ...</p>
</sp>
<list type="speakers">
 <item xml:id="ni"/>
 <item xml:id="rsa"/>
</list>
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<speaker> (fr)

<sp who="ko">
 <speaker>Koch.</speaker>
 <p>Ne risquez rien du tout, Monique ; rentrez.</p>
</sp>
<sp who="mo">
 <speaker>Monique.</speaker>
 <p>Rentrer ? comment voulez-vous que je rentre ? J'ai les clés de la voiture.</p>
</sp>
<sp who="ko">
 <speaker>Koch.</speaker>
 <p> Je rentrerai par mes propres moyens. </p>
</sp>
<sp who="mo">
 <speaker>Monique.</speaker>
 <p> Vous ? vos moyens ? quels moyens ? Seigneur ! Vous ne savez même pas conduire, vous ne
   savez pas reconnaître votre gauche de votre droite, vous auriez été incapable de
   retrouver ce fichu quartier tout seul, vous ne savez absolument rien faire tout seul. Je
   me demande bien comment vous pourriez rentrer. </p>
</sp>
<sp who="ko">
 <speaker>Koch.</speaker>
 <p>J'appellerai un taxi.</p>
</sp>
<list type="speakers">
 <item xml:id="fr_mo"/>
 <item xml:id="fr_ko"/>
</list>
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<speaker> (zh-TW)

<sp who="#zh-tw_ni #zh-tw_rsa">
 <speaker>梁山伯與祝英台t</speaker>
 <stage type="演講或歌唱">（同時)</stage>
 <p>梁山伯與祝英台，生不成雙死不分，生不成雙死不分。</p>
</sp>
<list type="speakers">
 <item xml:id="zh-tw_ni"/>
 <item xml:id="zh-tw_rsa"/>
</list>
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1 The TEI Infrastructure

att.ascribed

<castItem type="role">
 <role xml:id="Barnardo">Bernardo</role>
</castItem>
<castItem type="role">
 <role xml:id="Francisco">Francisco</role>
 <roleDesc>a soldier</roleDesc>
</castItem>
<!-- ... -->
<sp who="#Barnardo">
 <speaker>Bernardo</speaker>
 <l n="1">Who's there?</l>
</sp>
<sp who="#Francisco">
 <speaker>Francisco</speaker>
 <l n="2">Nay, answer me: stand, and unfold yourself.</l>
</sp>
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att.ascribed.directed

<castItem type="role">
 <role xml:id="emil">Emilius.</role>
</castItem>
<castItem type="role">
 <role xml:id="lov">Lovisa</role>
</castItem>
<castItem type="role">
 <role xml:id="serv">A servant</role>
</castItem>
<!-- ... -->
<sp who="#emil" toWhom="#lov">
 <speaker>Emil.</speaker>
 <l n="1">My love!</l>
</sp>
<sp who="#lov" toWhom="#emil">
 <speaker>Lov.</speaker>
 <l n="2">I have no Witness of my Noble Birth</l>
 <stage who="emil" toWhom="#serv">Pointing to her Woman.</stage>
 <l>But that poor helpless wretch——</l>
</sp>
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4 Default Text Structure

<floatingText>

<body>
 <div type="scene">
  <sp>
   <p>Hush, the players begin...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>In Athens our tale takes place [...]</l>
     </sp>
<!-- ... rest of nested act here -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>Now that the play is finished ...</p>
  </sp>
 </div>
</body>
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<floatingText> (fr)

<body>
 <div type="scene">
  <sp>
   <p>Chut ! Les acteurs commencent...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>Notre histoire se passe à Athènes [...]</l>
<!-- ... rest of nested act here -->
     </sp>
    </div>
   </body>
  </floatingText>
  <sp>
   <p>La pièce est maintenant finie ...</p>
  </sp>
 </div>
</body>
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<floatingText> (zh-TW)

<body>
 <div type="scene">
  <sp>
   <p>快點，演員開始了...</p>
  </sp>
  <floatingText type="pwp">
   <body>
    <div type="act">
     <sp>
      <l>故事開始於雅典...</l>
     </sp>
<!-- ... 這裡是其他動作 -->
    </div>
   </body>
  </floatingText>
  <sp>
   <p>戲劇結束...</p>
  </sp>
 </div>
</body>
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7 Performance Texts

7.1.2 Prologues and Epilogues

<epilogue>
 <head>Written by <name>Colley Cibber, Esq</name>
   and spoken by <name>Mrs. Cibber</name>
 </head>
 <sp>
  <lg type="stanza">
   <l>Since Fate has robb'd me of the hapless Youth,</l>
   <l>For whom my heart had hoarded up its truth;</l>
   <l>By all the Laws of Love and Honour, now,</l>
   <l>I'm free again to chuse, — and one of you</l>
  </lg>
  <lg type="stanza">
   <l>Suppose I search the sober Gallery; — No,</l>
   <l>There's none but Prentices — &amp; Cuckolds all a row:</l>
   <l>And these, I doubt, are those that make 'em so.</l>
  </lg>
  <stage>Pointing to the Boxes.</stage>
  <lg type="stanza">
   <l>'Tis very well, enjoy the jest:</l>
  </lg>
 </sp>
</epilogue>
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7.1.2 Prologues and Epilogues

<text>
 <body>
  <div1 type="scene">
   <sp>
    <l part="Y">I'le deliver all,</l>
    <l>And promise you calme Seas, auspicious gales,</l>
    <l>Be free and fare thou well: please you, draw neere.</l>
    <stage>Exeunt omnes.</stage>
   </sp>
  </div1>
 </body>
 <back>
  <epilogue>
   <head>Epilogue, spoken by Prospero.</head>
   <sp>
    <l>Now my Charmes are all ore-throwne,</l>
    <l>And what strength I have's mine owne</l>
    <l>As you from crimes would pardon'd be,</l>
    <l>Let your Indulgence set me free.</l>
   </sp>
   <stage>Exit</stage>
  </epilogue>
  <set>
   <p>The Scene, an un-inhabited Island.</p>
  </set>
  <castList>
   <head>Names of the Actors.</head>
   <castItem>Alonso, K. of Naples</castItem>
   <castItem>Sebastian, his Brother.</castItem>
   <castItem>Prospero, the right Duke of Millaine.</castItem>
  </castList>
  <trailer>FINIS</trailer>
 </back>
</text>
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7.1.2 Prologues and Epilogues

<sp>
 <speaker>Prospero</speaker>
 <l part="Y">I'll deliver all,</l>
 <l>And promise you calm seas, auspicious gales,</l>
 <l>Be free and fare thou well. <stage type="exit">Exit Ariel</stage>
   Please you, draw near. <stage type="exit">Exeunt all but Prospero</stage>
  <note place="margin">Epilogue</note>
 </l>
 <l>Now my charms are all o'erthrown,</l>
 <l>And what strength I have's mine own</l>
 <l>As you from crimes would pardoned be,</l>
 <l>Let your indulgence set me free.</l>
</sp>
<stage type="mix">He awaits applause, then exit.</stage>
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<prologue>

<prologue>
 <sp>
  <l>Wits, like physicians never can agree,</l>
  <l>When of a different society.</l>
  <l>New plays are stuffed with wits, and with deboches,</l>
  <l>That crowd and sweat like cits in May-Day coaches.</l>
 </sp>
 <trailer>Written by a person of quality</trailer>
</prologue>
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<prologue> (fr)

<prologue>
 <head>Prologue</head>
 <sp>
  <speaker>Le Prologue.</speaker>
  <p>Voilà. Ces personnages vont vous jouer l' histoire d' Antigone. Antigone, c' est la
     petite maigre qui est assise là-bas, et qui ne dit rien. Elle regarde droit devant
     elle. Elle pense. Elle pense qu' elle va être Antigone tout à l' heure, qu' elle va
     surgir soudain de la maigre jeune fille noiraude et renfermée que personne ne prenait
     au sérieux dans la famille et se dresser seule en face du monde, seule en face de
     Créon, son oncle, qui est le roi. Elle pense qu' elle va mourir, qu' elle est jeune et
     qu' elle aussi, elle aurait bien aimé vivre. Mais il n' y a rien à faire. Elle s'
     appelle Antigone et il va falloir qu' elle joue son rôle jusqu' au bout... </p>
 </sp>
</prologue>
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<prologue> (zh-TW)

<prologue>
 <sp>
  <l>何時姊妹再相逢，雷電轟轟雨蒙蒙？</l>
  <l>且等烽煙靜四陲，敗軍高奏凱歌回。</l>
  <l>半山夕照尚含輝。</l>
  <l>何處相逢？</l>
  <l>在荒原。</l>
  <l>共同去見麥克白。</l>
  <l>我來了，狸貓精。</l>
  <l>癩蛤蟆叫我了。</l>
  <l>來也。</l>
  <l>美即丑惡丑即美，翱翔毒霧妖云里。</l>
 </sp>
 <trailer>三女巫同下</trailer>
</prologue>
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<epilogue>

<epilogue>
 <head>Written by <name>Colley Cibber, Esq</name> and spoken by <name>Mrs. Cibber</name>
 </head>
 <sp>
  <lg type="couplet">
   <l>Since Fate has robb'd me of the hapless Youth,</l>
   <l>For whom my heart had hoarded up its truth;</l>
  </lg>
  <lg type="couplet">
   <l>By all the Laws of Love and Honour, now,</l>
   <l>I'm free again to chuse, — and one of you</l>
  </lg>
  <lg type="triplet">
   <l>Suppose I search the sober Gallery; — No,</l>
   <l>There's none but Prentices — &amp; Cuckolds all a row:</l>
   <l>And these, I doubt, are those that make 'em so.</l>
  </lg>
  <stage type="business">Pointing to the Boxes.</stage>
  <lg type="couplet">
   <l>'Tis very well, enjoy the jest:</l>
  </lg>
 </sp>
</epilogue>
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<epilogue> (fr)

<epilogue>
 <head>Stances en forme d'épilogue. </head>
 <sp>
  <speaker>Alidor.</speaker>
  <lg type="stances">
   <l>Que par cette retraite elle me favorise !</l>
   <l>Alors que mes desseins cedent à mes amours,</l>
   <l> Et qu'ils ne sçauroient plus defendre ma franchise</l>
   <l> Sa haine, et ses refus viennent à leur secours.</l>
   <l> J'avois beau la trahir, une secrette amorce</l>
   <l> R'allumoit dans mon coeur l'amour par la pitié,</l>
   <l> Mes feux en recevoient une nouvelle force,</l>
   <l> Et tousjours leur ardeur en croissoit de moitié.</l>
  </lg>
 </sp>
</epilogue>
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<epilogue> (zh-TW)

<epilogue>
 <head>收場詩</head>
 <stage type="business">飾國王者向觀眾致辭</stage>
 <sp>
  <lg type="stanza">
   <l>袍笏登場本是虛，</l>
   <l>王侯卿相總堪嗤，</l>
   <l>但能博得觀眾喜，</l>
   <l>便是功成圓滿時。</l>
  </lg>
 </sp>
</epilogue>
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7.2.1 Major Structural Divisions

<body>
 <div1 type="act" n="1">
  <head>Act One</head>
  <div2 type="scene" n="1">
   <stage>Pa Ubu, Ma Ubu</stage>
   <sp>
    <speaker>Pa Ubu</speaker>
    <p>Pschitt!</p>
   </sp>
  </div2>
  <div2 type="scene" n="2">
   <stage>A room in Pa Ubu's house, where a magnificent
       collation is set out</stage>
  </div2>
 </div1>
 <div1 type="act" n="2">
  <head>Act Two</head>
  <div2 type="scene" n="1">
   <head>Scene One</head>
  </div2>
  <div2 type="scene" n="2">
   <head>Scene Two</head>
  </div2>
 </div1>
</body>
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7.2.2 Speeches and Speakers

<castList>
 <castItem>
  <role xml:id="menae">Menaechmus</role>
 </castItem>
 <castItem>
  <role xml:id="penic">Peniculus</role>
 </castItem>
</castList>
<sp who="#menae">
 <speaker>Menaechmus</speaker>
 <l>Responde, adulescens, quaeso, quid nomen tibist?</l>
</sp>
<sp who="#penic">
 <speaker>Peniculus</speaker>
 <l>Etiam derides, quasi nomen non noveris?</l>
</sp>
<sp who="#menae">
 <speaker>Menaechmus</speaker>
 <l>Non edepol ego te, quot sciam, umquam ante hunc diem</l>
 <l>Vidi neque novi; ...</l>
</sp>
bibliography ⚓︎

7.2.2 Speeches and Speakers

<castList>
 <castItem>
  <role xml:id="hh">Henry Higgins</role>
 </castItem>
</castList>
<sp who="#hh">
 <speaker>The Notetaker</speaker>
 <p> ... </p>
</sp>
bibliography ⚓︎

7.2.2 Speeches and Speakers

<castList>
 <castItem>
  <role xml:id="menaechmus">Menaechmus</role>
 </castItem>
 <castItem>
  <role xml:id="peniculus">Peniculus</role>
 </castItem>
</castList>
<sp who="#menaechmus">
 <l>Responde, adulescens, quaeso, quid nomen tibist?</l>
</sp>
<sp who="#peniculus">
 <l>Etiam derides, quasi nomen non noveris?</l>
</sp>
<sp who="#menaechmus">
 <l>Non edepol ego te, quot sciam, umquam ante hunc diem</l>
 <l>Vidi neque novi; ...</l>
</sp>
bibliography ⚓︎

7.2.2 Speeches and Speakers

<castList>
 <castItem>
  <role xml:id="nan">Nano</role>
 </castItem>
 <castItem>
  <role xml:id="cas">Castrone</role>
 </castItem>
</castList>
<stage>Nano and Castrone sing</stage>
<sp who="#nan #cas">
 <l>Fools, they are the only nation</l>
 <l>Worth men's envy or admiration</l>
</sp>
bibliography ⚓︎

7.2.3 Grouped Speeches

<spGrp type="number" n="3">
 <head>By Strauss : performed by Georges Guetary, Gene Kelly, and Oscar
   Levant</head>
 <sp>
  <speaker>HENRI BAUREL</speaker>
  <lg>
   <l>The waltzes of Mittel Europa </l>
   <l>They charm you and warm you within </l>
   <l>While each day discloses </l>
   <l>What Broadway composes </l>
   <l>Is emptiness pounding on tin.</l>
  </lg>
 </sp>
 <sp xml:lang="de">
  <speaker>JERRY MULLIGAN: ADAM COOK:</speaker>
  <lg>
   <l>Mein Herr! </l>
   <l>Mein Herr!</l>
   <l>Bitte, bitte!</l>
   <l>Denke, danke!</l>
   <l>Aufwiedersehen! Aufwiedersehen!</l>
  </lg>
 </sp>
 <sp>
  <speaker>HENRI BAUREL:</speaker>
  <lg>
   <l>How can I be civil </l>
   <l>When hearing this drivel? </l>
   <l>It's only for night-clubbing souses. </l>
   <l>Oh give me the free 'n easy </l>
   <l>Waltz that is Viennes-y </l>
   <l>And go tell the band</l>
   <l>If they want a hand</l>
   <l>The waltz must be Strauss's</l>
  </lg>
 </sp>
 <sp>
  <speaker>ALL</speaker>
  <lg>
   <l>Ya ya ya </l>
   <l>Give me oom pah pah...</l>
  </lg>
 </sp>
<!-- ... -->
</spGrp>
bibliography ⚓︎

7.2.4 Stage Directions

<div1 n="1" type="act">
 <stage type="setting">
  <p>Scene. — A room furnished comfortably and
     tastefully but not extravagantly ...
     The floor is carpeted and a fire burns in the stove.
     It is winter.</p>
  <p>A bell rings in the hall; shortly afterwards the
     door is heard to open. Enter NORA humming a tune ...</p>
 </stage>
 <sp>
  <speaker>Nora</speaker>
  <p>Hide the Christmas Tree carefully, Helen. Be sure the
     children do not see it till this evening, when it is
     dressed. <stage type="delivery">To the PORTER taking
       out her purse</stage> How much?</p>
 </sp>
</div1>
bibliography ⚓︎

7.2.4 Stage Directions

<castList>
 <castItem>
  <role xml:id="lm">Lady Macbeth</role>
 </castItem>
 <castItem>
  <role xml:id="g1">First Gentleman</role>
 </castItem>
<!-- ... -->
</castList>
<sp who="#g1">
 <speaker>Gent.</speaker>
 <p>Neither to you, nor any one; having no witness
   to confirm my speech. <move who="#lm" type="enter" where="C"/>
   Lo you! here she comes. This is her very guise; and,
   upon my life, fast asleep.</p>
</sp>
bibliography ⚓︎

<spGrp>

<sp>
 <speaker>FRAULEIN SCHNEIDER:</speaker>
 <p> Herr Schultz! Can I believe what I see? <stage>(HERR SCHULTZ nods
     proudly)</stage> But this is — too much to accept. So rare — so costly —
   so luxurious. </p>
</sp>
<stage>(She sings)</stage>
<spGrp n="4">
 <sp>
  <l>If you bought me diamonds, If you bought me pearls,</l>
  <l>If you bought me roses like some other gents</l>
  <l>Might bring to other girls,</l>
  <l>It couldn't please me more</l>
  <l>Than the gift I see -</l>
  <stage>(She takes a large pineapple out of the bag)</stage>
  <l>A pineapple for me!</l>
 </sp>
 <sp>
  <speaker>SCHULTZ:</speaker>
  <stage>(Singing) </stage>
  <l>If, in your emotion, </l>
  <l>You began to sway, </l>
  <l>Went to get some air, </l>
  <l>Or grabbed a chair </l>
  <l>To keep from fainting dead away, </l>
  <l>It couldn't please me more </l>
  <l>Than to see you cling </l>
  <l>To the pineapple I bring.</l>
 </sp>
 <sp>
  <speaker>BOTH:</speaker>
  <l>Ah, ah, ah, ah, ah, ah, ah, ah</l>
 </sp>
<!-- ... -->
 <stage>(They dance)</stage>
</spGrp>
<sp>
 <speaker>FRAULEIN SCHNEIDER: </speaker>
 <p>But you must not bring me
   any more pineapples! Do you hear? It is not proper. It is a gift a
   young man would present to his lady love. It makes me blush!
 </p>
</sp>
bibliography Show all ⚓︎

7.2.5 Speech Contents

<sp>
 <speaker>Face</speaker>
 <l part="N">You most
   notorious whelp, you insolent slave</l>
 <l part="Y">Dare you do this?</l>
</sp>
<sp>
 <speaker>Subtle</speaker>
 <l part="Y">Yes faith, yes faith.</l>
</sp>
<sp>
 <speaker>Face</speaker>
 <l part="Y">Why! Who</l>
 <l part="Y">Am I, my mongrel? Who am I?</l>
</sp>
<sp>
 <speaker>Subtle</speaker>
 <l part="Y">I'll tell you,</l>
<!-- ... -->
</sp>
bibliography ⚓︎

7.2.5 Speech Contents

<sp>
 <speaker>Face</speaker>
 <l>You most
   notorious whelp, you insolent slave</l>
 <l part="I">Dare you do this?</l>
</sp>
<sp>
 <speaker>Subtle</speaker>
 <l part="M">Yes faith, yes faith.</l>
</sp>
<sp>
 <speaker>Face</speaker>
 <l part="F">Why! Who</l>
 <l part="I">Am I, my mongrel? Who am I?</l>
</sp>
<sp>
 <speaker>Subtle</speaker>
 <l part="F">I'll tell you,</l>
<!-- ... -->
</sp>
bibliography ⚓︎

7.2.5 Speech Contents

<spGrp>
 <head>Song — Sir Joseph</head>
 <sp>
  <l>I am the monarch of the sea,</l>
  <l>The ruler of the Queen's Navee.</l>
  <l>Whose praise Great Britain loudly chants.</l>
 </sp>
 <sp>
  <speaker>Cousin Hebe</speaker>
  <l>And we are his sisters and his cousins and his aunts!</l>
 </sp>
 <sp>
  <speaker>Rel.</speaker>
  <l>And we are his sisters and his cousins and his aunts!</l>
 </sp>
<!-- ... -->
</spGrp>
bibliography ⚓︎

7.2.5 Speech Contents

<spGrp>
 <head>Song — Sir Joseph</head>
 <sp>
  <lg part="I">
   <l>I am the monarch of the sea,</l>
   <l>The ruler of the Queen's Navee.</l>
   <l>Whose praise Great Britain loudly chants.</l>
  </lg>
 </sp>
 <sp>
  <speaker>Cousin Hebe</speaker>
  <lg part="M">
   <l>And we are his sisters and his cousins and his aunts!</l>
  </lg>
 </sp>
 <sp>
  <speaker>Rel.</speaker>
  <lg part="F">
   <l>And we are his sisters and his cousins and his aunts!</l>
  </lg>
 </sp>
<!-- ... -->
</spGrp>
bibliography ⚓︎

7.2.6 Embedded Structures

<sp>
 <speaker>Kelly</speaker>
 <stage>(calmly).</stage>
 <p>Aha, so you've bad minds along with th' love of gain.
   You thry to pin on others th' dirty decorations that
   may be hangin' on your own coats.</p>
 <stage>(He points, one after the other at Conroy, Bull,
   and Flagonson. Lilting)</stage>
 <lg type="song">
  <l>Who were you with last night?</l>
  <l>Who were you with last night?</l>
  <l>Will you tell your missus when you go home</l>
  <l>Who you were with last night?</l>
 </lg>
</sp>
<sp>
 <speaker>Flagonson</speaker>
 <stage>(in anguished indignation).</stage>
 <p>This is more than a hurt to us: this hits at the
   decency of the whole nation!</p>
</sp>
bibliography ⚓︎

7.2.6 Embedded Structures

<sp>
 <speaker>Kelly</speaker>
 <stage>(calmly).</stage>
 <p>Aha, so you've bad minds along with ...</p>
</sp>
<stage>(He points, one after the other at Conroy, Bull,
and Flagonson. Lilting):</stage>
<floatingText>
 <front>
  <titlePart>Kelly's Song</titlePart>
 </front>
 <body>
  <l>Who were you with last night?</l>
  <l>Who were you with last night?</l>
  <l>Will you tell your missus when you go home</l>
  <l>Who you were with last night?</l>
 </body>
</floatingText>
bibliography ⚓︎

7.2.6 Embedded Structures

<sp>
 <speaker>Kelly</speaker>
 <stage>(wheeling quietly in his semi-dance,
   as he goes out):</stage>
 <lg type="stanza" part="I">
  <l>Goodbye to holy souls left here,</l>
  <l>Goodbye to man an' fairy;</l>
 </lg>
</sp>
<sp>
 <speaker>Widda Machree</speaker>
 <stage>(wheeling quietly in her semi-dance,
   as she goes out):</stage>
 <lg type="stanza" part="F">
  <l>Goodbye to all of Leicester Square,</l>
  <l>An' the long way to Tipperary.</l>
 </lg>
</sp>
bibliography ⚓︎

7.2.6 Embedded Structures

<div1 n="4" type="act">
 <div2 n="5" type="scene">
  <stage>Elsinore. A room in the Castle.</stage>
  <stage type="setting">Enter Ophelia, distracted.</stage>
  <sp>
   <speaker>Ophelia</speaker>
   <p>Where is the beauteous Majesty of Denmark?</p>
  </sp>
  <sp>
   <speaker>Queen</speaker>
   <p>How now, Ophelia?</p>
  </sp>
  <sp>
   <speaker>Ophelia</speaker>
   <stage>Singing</stage>
   <lg next="#Tl2" xml:id="Tl1" type="song"
    part="Y">
    <l>How should I your true-love know</l>
    <l>From another one?</l>
    <l>By his cockle hat and staff</l>
    <l>And his sandal shoon.</l>
   </lg>
  </sp>
  <sp>
   <speaker>Queen</speaker>
   <p>Alas, sweet lady, what imports this song?</p>
  </sp>
  <sp>
   <speaker>Ophelia</speaker>
   <p>Say you? Nay, pray you mark.</p>
   <stage>Sings</stage>
   <lg prev="#Tl1" xml:id="Tl2" type="song"
    part="Y">
    <l>He is dead and gone, lady,</l>
    <l>He is dead and gone;</l>
    <l>At his head a grass-green turf,</l>
    <l>At his heels a stone.</l>
   </lg>
   <p>O, ho!</p>
  </sp>
 </div2>
</div1>
bibliography ⚓︎

7.2.6 Embedded Structures

<text>
 <body>
  <div1 n="4" type="act">
   <div2 n="5" type="scene">
    <stage type="setting">Elsinore. A room in the Castle.</stage>
    <sp>
     <speaker>Queen</speaker>
     <p>How now, Ophelia?</p>
    </sp>
    <sp>
     <speaker>Ophelia</speaker>
     <stage type="delivery">Singing</stage>
     <lg xml:id="TL1" type="song" part="Y">
      <l>How should I your true-love know</l>
      <l>From another one?</l>
      <l>By his cockle hat and staff</l>
      <l>And his sandal shoon.</l>
     </lg>
    </sp>
    <sp>
     <speaker>Queen</speaker>
     <p>Alas, sweet lady, what imports this song?</p>
    </sp>
    <sp>
     <speaker>Ophelia</speaker>
     <p>Say you? Nay, pray you mark.</p>
     <stage type="delivery">Sings</stage>
     <lg xml:id="TL2" type="song" part="Y">
      <l>He is dead and gone, lady,</l>
      <l>He is dead and gone;</l>
      <l>At his head a grass-green turf,</l>
      <l>At his heels a stone.</l>
     </lg>
     <p>O, ho!</p>
     <join type="lg" target="#TL1 #TL2"/>
    </sp>
   </div2>
  </div1>
 </body>
</text>
bibliography ⚓︎

7.2.7 Simultaneous Action

<sp>
 <speaker>Mangan</speaker>
 <stage type="delivery">wildly</stage>
 <p>Look here: I'm going to take off all my clothes.</p>
 <stage type="action">he begins tearing off his coat.</stage>
</sp>
<spGrp type="simultaneous" rend="braced">
 <sp>
  <speaker>Lady Utterword</speaker>
  <p>Mr Mangan!</p>
 </sp>
 <sp>
  <speaker>Captain Shotover</speaker>
  <p>Whats that?</p>
 </sp>
 <sp>
  <speaker>Hector</speaker>
  <p>Ha! ha! Do. Do.</p>
 </sp>
 <sp>
  <speaker>Ellie</speaker>
  <p>Please dont.</p>
 </sp>
 <stage type="delivery">in consternation</stage>
</spGrp>
<sp>
 <speaker>Mrs. Hushabye</speaker>
 <stage type="action">catching his arm and stopping him</stage>
 <p>Alfred: for shame! Are you mad?</p>
</sp>
bibliography ⚓︎

7.3 Other Types of Performance Text

<view>Ext. TV control van—Early morning.
The <name>T.V. announcer</name> from the Ryan interview
stands near the Control Van, the lake in b.g.</view>
<sp>
 <speaker>T.V. Announcer</speaker>
 <p>Several years ago, Jack Ryan was a highly
   successful hydroplane racer ...</p>
</sp>
bibliography ⚓︎

7.3 Other Types of Performance Text

<sp>
 <speaker>TV Announcer VO</speaker>
 <p>Working with Ryan are his two coworkers—
   Strut Bowman, the mechanical engineer—
 <view>
   <camera>Angle on Strut</camera>
     standing in the tow boat, walkie-talkie in hand,
     watching Ryan carefully.</view>
   —and Roger Dalton, a rocket
   systems analyst, and one of the scientists
   from the Jet Propulsion Lab ...</p>
</sp>
bibliography ⚓︎

7.3 Other Types of Performance Text

<sp>
 <speaker>Benjy</speaker>
 <p>Now to business.</p>
</sp>
<sp>
 <speaker>Ford and Zaphod</speaker>
 <p>To business.</p>
</sp>
<sound>Glasses clink.</sound>
<sp>
 <speaker>Benjy</speaker>
 <p>I beg your pardon?</p>
</sp>
<sp>
 <speaker>Ford</speaker>
 <p>I'm sorry, I thought you were proposing a toast.</p>
</sp>
bibliography ⚓︎

7.3 Other Types of Performance Text

<camera>Zoom in to overlay showing some stock film
of hansom cabs galloping past.</camera>
<caption>London, 1895.</caption>
<caption>The residence of Mr Oscar Wilde.</caption>
<sound>Suitably classy music starts.</sound>
<view>Mix through to Wilde's drawing room. A crowd of suitably
dressed folk are engaged in typically brilliant conversation,
laughing affectedly and drinking champagne.</view>
<sp>
 <speaker>Prince of Wales</speaker>
 <p>My congratulations, Wilde. Your latest play is a great success.</p>
</sp>
bibliography ⚓︎

<view> (fr)

<div type="plan">
 <view> Préfecture - bureau fonctionnaire - intérieur jour <camera>Plan américain</camera>
   d'un fonctionnaire assis derrière un bureau (il est vu de profil), consultant un fichier
   dans une boîte ouverte devant lui. Il sort une fiche et lève la tête. C'est un homme
   d'une quarantaine d'années, un aspect solide, concret, et un air relativement bon
   enfant. Dans son regard, pourtant, on voit passer par moments une lueur froide,
   inquiétante. </view>
 <sp>
  <speaker>FONCTIONNAIRE</speaker>
  <p>Robert Klein, vous avez dit ?</p>
 </sp>
</div>
bibliography Show all ⚓︎

<view> (zh-TW)

<div type="shot">
 <view>香港鳳凰衛視台</view>
 <sp>
  <speaker>旁白</speaker>
  <p>2008北京奧運的聖火稍後即將傳遞到香港九龍，我們有最新的現場實況直播於您。</p>
 </sp>
</div>
<div type="shot">
 <view>香港九龍街道。四處是圍觀的群眾。記者站在聖火傳遞路線旁。</view>
 <sp>
  <speaker>主持人</speaker>
  <p>大家好，我現在在香港的九龍。 </p>
 </sp>
</div>
Show all ⚓︎

<view>

<div type="shot">
 <view>BBC World symbol</view>
 <sp>
  <speaker>Voice Over</speaker>
  <p>Monty Python's Flying Circus tonight comes to you live
     from the Grillomat Snack Bar, Paignton.</p>
 </sp>
</div>
<div type="shot">
 <view>Interior of a nasty snack bar. Customers around, preferably
   real people. Linkman sitting at one of the plastic tables.</view>
 <sp>
  <speaker>Linkman</speaker>
  <p>Hello to you live from the Grillomat Snack Bar.
  </p>
 </sp>
</div>
bibliography Show all ⚓︎

<sound>

<sp>
 <speaker>Benjy</speaker>
 <p>Now to business.</p>
</sp>
<sp>
 <speaker>Ford and Zaphod</speaker>
 <p>To business.</p>
</sp>
<sound discrete="true">Glasses clink.</sound>
<sp>
 <speaker>Benjy</speaker>
 <p>I beg your pardon?</p>
</sp>
<sp>
 <speaker>Ford</speaker>
 <p>I'm sorry, I thought you were proposing a toast.</p>
</sp>
bibliography Show all ⚓︎

<sound> (zh-TW)

<sp>
 <speaker>班吉</speaker>
 <p>現在，說到我們的事業。</p>
</sp>
<sp>
 <speaker>福特和薩豐</speaker>
 <p>敬我們的事業。</p>
</sp>
<sound discrete="true">玻璃杯敲擊聲</sound>
<sp>
 <speaker>班吉</speaker>
 <p>抱歉，您說什麼？</p>
</sp>
<sp>
 <speaker>福特</speaker>
 <p>不好意思，我以為你說乾杯。</p>
</sp>
Show all ⚓︎

<caption>

<camera>Zoom in to overlay showing some stock film of hansom cabs
galloping past</camera>
<caption>London, 1895.</caption>
<caption>The residence of Mr Oscar Wilde.</caption>
<sound>Suitably classy music starts.</sound>
<view>Mix through to Wilde's drawing room. A crowd of suitably
dressed folk are engaged in typically brilliant conversation,
laughing affectedly and drinking champagne.</view>
<sp>
 <speaker>Prince of Wales</speaker>
 <p>My congratulations, Wilde. Your latest play is a great success.
 </p>
</sp>
bibliography Show all ⚓︎

<caption> (zh-TW)

<camera>鏡頭拉近，畫面上雙蓋馬車奔馳而去。</camera>
<caption>1895年，倫敦。</caption>
<caption>王爾德先生的家</caption>
<sound>開始合宜別緻的音樂。</sound>
<view>畫面融接到王爾德的畫室。一群人衣冠楚楚、 高談闊論，有人手拿香檳，有人開懷大笑。</view>
<sp>
 <speaker>威爾斯王子</speaker>
 <p>恭喜你，王爾德。你最近的戲劇是個大成功。</p>
</sp>
Show all ⚓︎

12 Representation of Primary Sources

12.3.1.7 Text Omitted from or Supplied in the Transcription

<sp>   <ab>     <lb n="545"/>Great praise and thanks be to Perfidy as she     <lb n="546"/>deserves, since by our swindles, tricks, and clever moves, relying      <lb n="547"/>on the daring of our shoulder blades and the excellence of our      <lb n="548"/>forearms who went against cattle-prods, hot iron-blades,      <lb n="549-550"/>crosses and shackles, neck-irons, chains, prisons, collars, fetters,      <lb n="551"/>and yokes, the fiercest painters fully acquainted with our backs      <lb n="552"/><secl>who have often before put scars on our shoulder blades</secl>     ...   </ab> </sp>            
bibliography ⚓︎

17 Linking, Segmentation, and Alignment

17.3 Blocks, Segments, and Anchors

<div1 n="I" type="act">
 <div2 n="1" type="scene">
  <head rend="italic">Actus primus, Scena prima.</head>
  <stage rend="italic" type="setting"> A tempestuous noise of
     Thunder and Lightning heard:
     Enter a Ship-master, and a Boteswaine.</stage>
  <sp>
   <speaker>Master.</speaker>
   <ab>Bote-swaine.</ab>
  </sp>
  <sp>
   <speaker>Botes.</speaker>
   <ab>Heere Master: What cheere?</ab>
  </sp>
  <sp>
   <speaker>Mast.</speaker>
   <ab>Good: Speake to th' Mariners: fall too't, yarely,
       or we run our selues a ground, bestirre, bestirre.
   <stage type="move">Exit.</stage>
   </ab>
  </sp>
  <stage type="move">Enter Mariners.</stage>
  <sp>
   <speaker>Botes.</speaker>
   <ab>Heigh my hearts, cheerely, cheerely my harts: yare, yare:
       Take in the toppe-sale: Tend to th' Masters whistle: Blow
       till thou burst thy winde, if roome e-nough.</ab>
  </sp>
 </div2>
</div1>
bibliography ⚓︎

17.6 Identical Elements and Virtual Copies

<sp>
 <speaker>Mikado</speaker>
 <l>My <seg xml:id="Mik-L1s">object all sublime</seg>
 </l>
 <l>I shall <seg xml:id="Mik-L2s">achieve in time</seg>—</l>
 <l xml:id="Mik-L3">To let <seg xml:id="L3s">the punishment fit the crime</seg>,</l>
 <l xml:id="Mik-l4">
  <seg copyOf="#Mik-L3s"/>;</l>
 <l xml:id="Mik-l5">And make each pris'ner pent</l>
 <l xml:id="Mik-l6">Unwillingly represent</l>
 <l xml:id="Mik-l7">A source <seg xml:id="Mik-l7s">of innocent merriment</seg>,</l>
 <l xml:id="Mik-l8">
  <seg copyOf="#Mik-l7s"/>!</l>
</sp>
<sp>
 <speaker>Chorus</speaker>
 <l>His <seg copyOf="#Mik-L1s"/>
 </l>
 <l>He will <seg copyOf="#Mik-L2s"/>
 </l>
 <l copyOf="#Mik-L3"/>
 <l copyOf="#Mik-l4"/>
 <l copyOf="#Mik-l5"/>
 <l copyOf="#Mik-l6"/>
 <l copyOf="#Mik-l7"/>
 <l copyOf="#Mik-l8"/>
</sp>
bibliography ⚓︎

17.7 Aggregation

<sp>
 <speaker>Hughie</speaker>
 <p>How does it go?
 <q>
   <l xml:id="frog-x1">da-da-da</l>
   <l xml:id="frog-L2">gets a new frog</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>Louie</speaker>
 <p>
  <q>
   <l xml:id="frog-L1">When the old pond</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>Dewey</speaker>
 <p>
  <q>...
  <l xml:id="frog-L3">It's a new pond.</l>
  </q>
 </p>
 <join target="#frog-L1 #frog-L2 #frog-L3"
  result="lg" scope="root"/>
</sp>
⚓︎

<join>

<sp>
 <speaker>Hughie</speaker>
 <p>How does it go? <q>
   <l xml:id="frog_x1">da-da-da</l>
   <l xml:id="frog_l2">gets a new frog</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>Louie</speaker>
 <p>
  <q>
   <l xml:id="frog_l1">When the old pond</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>Dewey</speaker>
 <p>
  <q>... <l xml:id="frog_l3">It's a new pond.</l>
  </q>
 </p>
 <join target="#frog_l1 #frog_l2 #frog_l3"
  result="lg" scope="root"/>
</sp>
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<join> (fr)

<sp>
 <speaker>Hughie</speaker>
 <p>How does it go? <q>
   <l xml:id="fr_frog_x1">da-da-da</l>
   <l xml:id="fr_frog_l2">gets a new frog</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>Louie</speaker>
 <p>
  <q>
   <l xml:id="fr_frog_l1">When the old pond</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>Dewey</speaker>
 <p>
  <q>... <l xml:id="fr_frog_l3">It's a new pond.</l>
  </q>
 </p>
 <join target="#fr_frog_l1 #fr_frog_l2 #fr_frog_l3"
  result="lg" scope="root"/>
</sp>
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<join> (zh-TW)

<sp>
 <speaker>休</speaker>
 <p>怎麼樣了？<q>
   <l xml:id="zh-tw_frog_x1">呱、呱、呱</l>
   <l xml:id="zh-tw_frog_l2">有新來的青蛙</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>路易</speaker>
 <p>
  <q>
   <l xml:id="zh-tw_frog_l1">以前的池塘</l>
   <l>...</l>
  </q>
 </p>
</sp>
<sp>
 <speaker>迪威</speaker>
 <p>
  <q>... <l xml:id="zh-tw_frog_l3">有新的池塘</l>
  </q>
 </p>
 <join target="#zh-tw_frog_l1 #zh-tw_frog_l2 #zh-tw_frog_l3"
  result="lg" scope="root"/>
</sp>
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22 Certainty, Precision, and Responsibility

<respons>


<!-- in the <teiHeader>: --><respStmt xml:id="enc03">
 <persName ref="../contextual/persons.xml#across.dta"/>
 <resp>encoding</resp>
</respStmt>
<!-- in the <text>: -->
<spGrp rend="braced(atonce1)"
 xml:id="sgrp05">
 <sp who="#mo">
  <speaker rend="align(left)slant(italic)">
   <persName>Mor</persName>.</speaker>
  <p rend="break(no)">So, so, so!</p>
 </sp>
 <sp who="#hg">
  <speaker rend="align(left)slant(italic)">
   <persName>Mr. H</persName>.</speaker>
  <p rend="break(no)">What, without my Leave!</p>
 </sp>
 <sp who="#la">
  <speaker rend="align(left)slant(italic)">
   <persName>Lady D</persName>.</speaker>
  <p rend="break(no)">Amazing!</p>
 </sp>
</spGrp>
<stage rend="align(right)slant(italic)"
 type="delivery" xml:id="atonce1">All together.</stage>
<!-- anywhere: -->
<respons target="sgrp05" locus="name"
 resp="../contextual/persons.xml#rcapolung.ewo">
 <desc>Ashley did not know what to do with this; I have decided it
   best fits as a braced <gi>spGrp</gi>
 </desc>
</respons>
<respons target="sgrp05" match=".//@rend"
 locus="value"
 resp="../contextual/persons.xml#sbauman.emt">
 <desc>fixed <att>rend</att> attributes</desc>
</respons>
bibliography Show all ⚓︎